production mechanisms
PUBlicIMAGenING
Submitted by zB on Mon, 12/15/2008 - 10:24project PUBlicIMAGenING deals with re-factoring of surveillance video systems from its current surveillance and anti/counter critique to an observation and commons oriented setup. Research is set out to articulate and investigate processes of (hegemonic) image acquisition done through video surveillance (through it's technical design, aesthetics and economic/power relations). It is set to do so in order to meet the urgent need for setup of systemic observation installations in public spaces (with openly accessible images), benefiting general public (empowering activists, academics, urbanists, researchers, designers, artists, performers and all sorts of enthusiasts of urban living discoveries...)
The project will aim to establish a discourse of a proactive engagement also through designing a prototype media system for the collective production of observation images of public space (over a long time periods), producing visual material that would support different perception modes (focused on subtle environmental changes).
Promoting and engaging with this discourse in public space (with posters and installations) and in an academic environment (publications, events).
Production aspects of the project (dependant on external support) are set to experiment with slow-cam setups and development of a website that would document/support project development and tools as CompilingMovies as integrated visual media.
The Digital Networked Image and its Modes of Existence as a Technical and Political object.
Submitted by Kim de Groot on Mon, 11/10/2008 - 15:38Imaginary Property incites to reconsider the condition of the digital networked image within the current aesthetic culture. What kind of digital images are being produced today? What are their production mechanisms? What do current images represent, not just in the sense of their meaning, but in the sense of the politics of its design?
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